All the oil paintings of Sir John Everett Millais

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ID	Image	Painting(From A to Z)	Details
92649		A Flood	Date 1870(1870) Medium oil on canvas Dimensions 99.3 x 144.9 cm TTD
94990		A Huguenot	1852 Type Oil on canvas Dimensions 92.71 cm x 64.13 cm cyf
53433		Antumn Leaves	mk231 1856 Oil on canvas
56954		Aofeiliya	mk250 Year in 1852. Oil on canvas, 76.2 x 111.8 cm. Lunduitaite Museum of Art.
56243		autumn leaves	mk247 1855 to 56,oil on canvas,41x29 in,104x74 cm,manchester city art galleries,uk
95000		Black Brunswicker	1860 Type Oil on canvas Dimensions 104 cm x 68.5 cm cyf
79610		Blow Thou Winter Wind	Oil on canvas, 108 x 155 cm Date 1892(1892) cyf
2863		Bubbles
11842		Charles J.Wertheimer	Esq,1888 4' 2 1/2'' x 2' 9''(128 x 84 cm)Gift of Mrs.Wertheimer,1914
53458		Cherry Ripe	mk231 Oil on canvas 86.3x65.4cm
78309		Chill October	Oil on canvas, 55.5 x 73.5 in Date 1870(1870) cyf
53419		Christ in the House of His Parents	mk231 1850 33x54in
68961		christ in the house of his parents	1849-50 oil on canvas 86.4x139.7cm se
90541		Christ in the House of His Parents	1849(1849) Medium oil on canvas Dimensions Height: 864 cm (340.2 in). Width: 1,397 cm (550 in). cyf
87126		Christus im Hause seiner Eltern	1850(1850) Medium Oil on canvas cyf
90812		Dew-Drenched Furze	1889(1889) Medium oil on canvas Dimensions Height: 173.2 cm (68.2 in). Width: 123 cm (48.4 in). cyf
76503		Dimensions and material of painting	Dimensions and material of painting: Oil on canvas, 145.2 x 101.1 cm cjr
76504		Dimensions and material of painting	Dimensions and material of painting: Oil on canvas, 55.5 x 73.5 in cjr
76659		Dimensions and material of painting	Dimensions and material of painting: Oil on canvas, 108 x 155 cm cjr
78554		Dimensions and material of painting	Oil on canvas, 108 x 155 cm Date 1892(1892) cyf
75193		Effie Gray	English: John Everett Millais's wife Effie Gray in middle age holding a copy of the Cornhill Magazine Date around 1860 cyf
53437		Escape of a Heretic	mk231 1559 1857 Oil on panel 25.4x20.3cm
95036		Esther	1865 Type Oil on canvas cyf
27996		Ferdinand Lured by Ariel	1849-50 Oil on wood 64.5 x 50.8 cm (25 1/2 x 20in) Private collection (mk63)
78308		Glen Birnam	Oil on canvas, 145.2 x 101.1 cm Date 1890-91 cyf
90810		Hearts are Trumps	1872(1872) Medium oil on canvas Dimensions Height: 1,657 cm (652.4 in). Width: 2,197 cm (865 in). cyf
92171		Herbstlaub	1856(1856) Medium oil on canvas Dimensions 104,3 X 74 cm cyf
28162		Hohn Ruskin	1853-4 Oil on canvas 79 x 68 cm (31 x 26 3/4 in) Private collection (mk63)
56223		isabella	mk247 1848 to 49,oil on canvas,40.5x56.25 in,103x143 cm,walker art gallery,liverpool,uk
94988		Isabella	1849 Type Oil on canvas Dimensions 103 cm x 142.8 cm cyf
53408		James Wyatt and His Granddaughter	mk231 1849 Oil on c anvas
95100		John Everett Millais	1885 Type Oil on canvas Dimensions 160.7 cm x 215.9 cm cyf
73498		John Everett Millais's wife Effie Gray in middle age holding a copy of the Cornhill Magazine	John Everett Millais's wife Effie Gray in middle age holding a copy of the Cornhill Magazine around 1860 cjr
90266		John Ruskin, portrait	Oil on canvas, 78.7 x 68 cm, arched top. Date 1853-1854 cjr
71040		la somnambule	mk289 1871 bolton muswum and art gallery
37691		Leisure Hours	mk127 21x28 Oil on canvas
2859		Mariana	1851
40706		Mariana	mk156 1851 Oil on canvas 59.7x49.5cm
28022		Mrs James Wyatt Jnr and her Daughter	c 1850 oil on wood ,35.6 x 45.1cm (14 x 17 3/4in) Tate Gallery London (mk63)
90572		Mrs James Wyatt Jr and her Daughter Sarah	c. 1850(1850) Medium oil on mahogany Dimensions Height: 353 cm (139 in). Width: 457 cm (179.9 in). cjr
2860		My First Sermon	1862-63
89876		North-West Passage	oil on canvas cjr
56635		ofelia	mk248 prerafaeliterna experimenterade med alla nya fargpigment som fanns att tillga ocb for att uppna maximal kyster glaserades de pa dukar som forst bestrukits med zinkvitt,ofelia kan betraktas som en fargbandelskatalog med koboltbkatt. krappfarg, kromgult, kromocid ocb zinkgult, millais borjade mala bakgrunden i london foljande vinter, lizzie siddal. preafarliternas musa, fick ligga i ett vattenbad som vattenbad som varmdes underifean av oljelampor. iford en gammal brokadklanning. den forkylning bebandlingen ledde till fill fick bennes far att bota konstnarn med skadestandskrav.
2858		Ophelia	1851-52 Tate Gallery, London
27673		Ophelia	mk58 1851-2 oil on canvas 76.2x111.8cm Tate.London
34011		Ophelia	mk87 1851 Oil on canvas 76x112cm London,Tate Gallery
40708		Ophelia	mk156 1851 Oil on canvas 76x112cm
53424		Ophelia	mk231 1852 Oil on canvas 30x44in
56233		ophelia	mk247 1851 to 52,oil on canvas,30x44 in,76x112 cm,tate collection,london,uk
21551		Ophelia (mk09)	1851 Oil on canvas,76 x 112 cm London,Tare Gallery
24402		Ophelia (mk28)	1852 Oil on canvas 76 x 112 cm London Tate Gallery
94991		Order of Release	1852 Type Oil on canvas Dimensions 102.9 cm x 73.7 cm cyf
94996		Peace Concluded	1856 Type Oil on canvas Dimensions 120 cm x 91 cm cyf
53413		Pizarro Seizing the Inca of Peru	mk231 1845
73803		Pizarro seizing the Inca of Peru (1845) by John Everett Millais	Pizarro seizing the Inca of Peru (1845) by John Everett Millais 1845(1845) cjr
56634		reklamtavla for pears pears soap med bubblor	mk248 millais barnbarn william fames satt modell for malningen, ursprungligan kallad a childs world. nar foretaget pears kopre den var man tvungen att fa millais tillstand for att mala dit en tval ovb anvanda den som reklam. bubbles forblir en av de mest ikoniska reklamsymboler som nagonsin utformats ocb manga av de fargtryck pears kom att publicera bangde i bem over bela varlden.
94998		Sir Isumbras at the Ford	Sir Isumbras at the Ford by JE Millais, 157 Image is taken from cyf
78667		Spring	Oil on canvas, 43-1/2 x 68 in Date 1856-59 cyf
79339		Spring	Oil on canvas, 43-1/2 x 68 in Date 1856-59 cyf
2862		The Black Brunswicker	1860 Lady Lever Art Gallery
96464		The Black Brunswicker	1860(1860) Medium oil on canvas cyf
2861		The Blind Girl	1854-56 Birmingham Museum and Art Gallery, England
95052		The Boyhood of Raleigh	1870 Type Oil on canvas Dimensions 120.6 cm x 142.2 cm cyf
51805		The crown of love	mk221 1875 Oil on canvas 130x88cm
96765		The Farmers Daughter	oil on canvas, 45.4x35 cm Date ? cyf
81288		The Martyr of the Solway	ca. 1871 cyf
88560		The Nest	1887(1887) Medium Oil on canvas cjr
96624		The North	1874(1874) Medium oil on canvas cyf
91097		The North-West Passage	1874(1874) Medium oil on canvas Dimensions Height: 1,765 cm (694.9 in). Width: 2,222 cm (874.8 in). cyf
94992		The Proscribed Royalist	1853 Type Oil on canvas Dimensions 102.8 cm x 73.6 cm cyf
27993		The Rescue	1855 Oil on canvas 119.4 x 83.8cm (47 x 33in)National Gallery of Victoria Melbourne (mk63)
28235		The Return of the Dove to the Ark	1851 Oil on canvas 87.6 x 54.6 cm (34 1/4 x 21 1/2 in) Ashmolean Museum Oxford (mk63)
87123		The Vale of Rest	1858(1858) Medium Oil on canvas cyf
91095		The Vale of Rest	1858(1858) Medium oil on canvas Dimensions Height: 102.9 cm (40.5 in). Width: 172.7 cm (68 in). cyf
95045		Vanessa	1868, cyf
95057		Victory O Lord	1871 Type Oil on canvas Dimensions 194.7 cm x 141.3 cm cyf
79750		Winter Fuel	Oil on canvas, 194.5x 149.5 cm Date 1873(1873) cjr
83693		Winter Fuel	Oil on canvas, 194.5x 149.5 cm Date 1873(1873) cyf

Sir John Everett Millais
British 1829-1896 Sir John Everett Millais Galleries After his marriage, Millais began to paint in a broader style, which was condemned by Ruskin as "a catastrophe". It has been argued that this change of style resulted from Millais' need to increase his output to support his growing family. Unsympathetic critics such as William Morris accused him of "selling out" to achieve popularity and wealth. His admirers, in contrast, pointed to the artist's connections with Whistler and Albert Moore, and influence on John Singer Sargent. Millais himself argued that as he grew more confident as an artist, he could paint with greater boldness. In his article "Thoughts on our art of Today" (1888) he recommended Vel??zquez and Rembrandt as models for artists to follow. The Two Princes Edward and Richard in the Tower (1878) The Boyhood of Raleigh (1871)Paintings such as The Eve of St. Agnes and The Somnambulist clearly show an ongoing dialogue between the artist and Whistler, whose work Millais strongly supported. Other paintings of the late 1850s and 1860s can be interpreted as anticipating aspects of the Aesthetic Movement. Many deploy broad blocks of harmoniously arranged colour and are symbolic rather than narratival. Later works, from the 1870s onwards demonstrate Millais' reverence for old masters such as Joshua Reynolds and Vel??zquez. Many of these paintings were of an historical theme and were further examples of Millais' talent. Notable among these are The Two Princes Edward and Richard in the Tower (1878) depicting the Princes in the Tower, The Northwest Passage (1874) and the Boyhood of Raleigh (1871). Such paintings indicate Millais' interest in subjects connected to Britain's history and expanding empire. His last project was to be a painting depicting a white hunter lying dead in the African veldt, his body contemplated by two indifferent Africans. This fascination with wild and bleak locations is also evident in his many landscape paintings of this period, which usually depict difficult or dangerous terrain. The first of these, Chill October (1870) was painted in Perth, near his wife's family home. Many others were painted elsewhere in Perthshire, near Dunkeld and Birnam, where Millais rented grand houses each autumn in order to hunt and fish. Millais also achieved great popularity with his paintings of children, notably Bubbles (1886) ?C famous, or perhaps notorious, for being used in the advertising of Pears soap ?C and Cherry Ripe.